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The setting is a high-powered Parisian talent agency, where our heroes do their best to keep real-life stars happy (there are cameos by Charlotte Gainsbourg, Monica Bellucci, Sigourney Weaver and others), even as they walk the tightrope of their own complicated personal lives. Call My Agent!Ī UK remake is in the works but will be doing well to top the French original. It’s a feat of bravura factual filmmaking from French documentarian Jean-Xavier de Lestrade, which comes to Netflix with a recently shot three-part coda catching up with the (very weird) Peterson clan a decade on.
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The Staircaseĭid he do it? Does it matter considering the lengths the Durham, North Carolina police seemingly went in order to stitch him up? Sitting through this twisting, turning documenting about the trial of Michael Peterson – charged with the murder in 2003 of his wife – the viewer may find themselves alternately empathising with and recoiling from the accused. The perfect antidote to the deafening bombast of the big screen Marvel movies.
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With New York’s Hell’s Kitchen neighbourhood as backdrop, Daredevil is caked in street-level grit and features a searing series one performance by Vincent D'Onofrio as the villainous Kingpin. An exception is the high-kicking Daredevil, with Charlie Cox’s blind lawyer/crimefighter banishing all memory of Ben Affleck's turn donning the red jumpsuit in 2003.
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Netflix’s Marvel shows tend towards the overlong and turgid.
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A fourth season has been pushed back to 2022. “We’re not in Hawkins anymore,” went a recent teaser, hinting that the franchise is about to engage with the wider world. A fourth season has been confirmed with the Duffers signing an over-all development deal with Netflix. Series three introduced Soviets tunnelling beneath Hawkins, Indiana and homages to Terminator and Fast Times at Ridgemont High. It was clear Stranger Things was going to be a mega-smash when Barb – the “best friend” character eaten in the second episode – went viral the weekend it dropped. ET, Goonies, Close Encounters, Alien and everything Stephen King wrote between 19 are all tossed into the blender by Millennial writer-creators the Duffer brothers.
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Season five touches the live rail of harassment in the movie industry, offering one of the most astute commentaries yet on the #MeToo movement with an episode based centred around an awards ceremony called “The Forgivies”.Ī valentine to the Spielberg school of Eighties blockbuster, with Winona Ryder as a small-town mom whose son is abducted by a transdimensional monster. Will Arnett plays BoJack – one time star of Nineties hit sitcom Horsin’ Around – as a lost soul whose turbo-charged narcissism prevents him getting his life together.Īlmost as good are a support cast including Alison Brie ( Glow, Mad Men), Aaron Paul, of Breaking Bad, and Amy Sedaris as a pampered Persian cat who is also BoJack’s agent. Yet the series almost immediately transcended its format to deliver a moving and very funny rumination on depression and middle-age malaise. BoJack HorsemanĪ cartoon about a talking horse, starring the goofy older brother from Arrested Development… on paper little about BoJack Horseman screams “must watch”. The shock factor is high – but the characters are compellingly drawn and the implicit criticism of the widening gulf between rich and poor earns parallels with Bong Joon-ho’s Parasite. There’s only one catch – put a foot-wrong and a machine gun will take your arm off. These are presided over by guards dressed like refugees from Super Mario Brothers by way of Patrick McGoohan’s The Prisoner. Anyone for “Red Light, Green Light”? Netflix’s fastest word-of-mouth phenomenon since Stranger Things, the Korean drama finds a rag-tag of gambling addicts and bankrupts vying for the payday of a lifetime by playing a series of traditional children’s games.